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Keywords: Gillian Bouras

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  • ARTS AND CULTURE

    The book corner: The Escape Artist

    • Gillian Bouras
    • 11 October 2022

    Jonathan Freedland’s book is an extremely harrowing tour de force: at one stage I could read only a chapter at a time. But by the end I had been reminded of the power of the human spirit, and of the way in which some people, those with a sense of mission, can endure almost any trial. Resilience is a great gift.

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  • ARTS AND CULTURE

    The thing with feathers

    • Gillian Bouras
    • 29 September 2022
    5 Comments

    Humans depend greatly on hope. In a recent interview, Tova Friedman discusses her book The Daughter of Auschwitz, the memoir of the part of her childhood spent in the eponymous and notorious concentration camp. Can someone who has seen first hand the depths of human depravity be at all hopeful about the future?

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  • ARTS AND CULTURE

    The book corner: Telltale

    • Gillian Bouras
    • 02 September 2022
    1 Comment

    Australian cultural icon and erstwhile publisher Hilary McPhee calls Telltale ‘a rare thing, an ingenious memoir,’ and she is right. It is interesting and reassuring to note that books about reading and recollections of reading habits seem to be proliferating. Perhaps such writing is a defence measure against worrying developments like universities in England, for example, axing their English Literature courses.

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  • ARTS AND CULTURE

    This sporting life

    • Gillian Bouras
    • 10 August 2022
    6 Comments

    It is often said that it takes a village to raise a child. It also takes interested and supportive people to encourage athletic talent. A recent documentary on the world's most successful male distance runner Sir Mo Farah raises questions around how host countries know about waste of talent and opportunity when they routinely deport asylum seekers or lock them up? 

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  • ARTS AND CULTURE

    The book corner: An Odyssey

    • Gillian Bouras
    • 29 July 2022
    2 Comments

    Daniel Mendelsohn lectures in classics at Bard College, a liberal arts institution in New York State. His retired father, aged 81 in 2011, regrets gaps in his own education, and asks to sit in on his son’s course of seminars on Homer’s The Odyssey. Professor Mendelsohn agrees, and Jay Mendelsohn joins a class of 18-19 year-olds. Later, father and son go on a cruise that retraces The Odyssey where they discover: is home a physical place, or something you carry around with you or within you? 

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  • ARTS AND CULTURE

    Race relations

    • Gillian Bouras
    • 29 June 2022
    10 Comments

    What causes racism? How does it start? Perhaps that’s at the heart of the matter: the difference, and the fear of it. Historically, we have tried to manage the fear via labels and categories: think of the ancient Greeks and their idea that anybody who did not speak Greek was a barbarian because of the bar-bar sounds that they made.

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  • ARTS AND CULTURE

    The exile of place and time

    • Gillian Bouras
    • 16 June 2022
    9 Comments

    Writers are not only preoccupied, among other things, with the concept of place, but also with the matter of time and its passing. Novelist L.P. Hartley famously wrote that the past is a foreign country: they do things differently there. Cretan Nikos Kazantzakis considered that ‘the face of Greece is a palimpsest bearing twelve successive inscriptions,’ and he went on to list them, from the 1930s, when he wrote these words, to the Stone Age.

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  • INTERNATIONAL

    Received lives

    • Gillian Bouras
    • 07 June 2022
    10 Comments

    I admit to a weakness for pomp and pageantry. I am, after all, a child of Empire, and swore allegiance to Queen Elizabeth II every Monday morning for years on end. So I watched the recent Trooping of the Colour, part of the Platinum Jubilee celebrations, and thoroughly enjoyed it, admiring the military precision and all the discipline required, the glitter, the splendour, the dashing aristocrats of the equine world, the sheer vividness of the unrolling scene. And all in honour of the Queen’s birthday.

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  • INTERNATIONAL

    The pity of war

    • Gillian Bouras
    • 26 May 2022
    14 Comments

    In the photo I have just seen Vadim Shishimarin is in the dock, hanging his head. He is 21, but looks about 15 as he stands there in the polycarbonate box, the first Russian soldier to be charged and tried in Ukraine for a war crime. He holds the rank of sergeant and was a tank commander. At 21? (I’m embarrassed to recall how immature I was at 21.) It is likely he has a mother: I wonder how she is feeling right now, but think I can make a good guess.

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  • INTERNATIONAL

    A Peloponnesian Anzac

    • Gillian Bouras
    • 21 April 2022
    9 Comments

    The lives of migrants often consist of divisions and collisions at the border between the old life and the new. But sometimes both lives come together in unexpected ways, and one such conjunction is about to happen to me. On Anzac Day my granddaughter will join the great flow of Orthodoxy, but I hope one day she will know about her little trickle of Australian blood. 

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  • INTERNATIONAL

    Power but no glory

    • Gillian Bouras
    • 31 March 2022
    19 Comments

    People who understand more about international affairs than I do tell me that the Ukrainian/Russian matter is complex, but to me the matter seems simple enough, involving the obsessions of a powerful man, and the suffering of an innocent population. As usual, it is the women and the children who are bearing the brunt of the conflict, while President Putin remains supremely indifferent to their fate. And, as so often, I wonder what makes him tick.

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  • ARTS AND CULTURE

    Kermit and the green-eyed monster

    • Gillian Bouras
    • 22 February 2022
    17 Comments

    Kermit the Frog, of enduring Muppets and Sesame Street fame, was always a favourite with my children and me: he was so amusing and appealing, and also had a way of unobtrusively communicating simple goodness along with the occasional moral message. He was also concerned with the most important matter of the self, so that in his most famous song he puts a positive spin on the matter of greenness, the colour of envy and jealousy. 

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